In the writing room right now ...

In the writing room right now ... I am working on book #3 in the Winds of Freedom series, a teen adventure series set in the 1850s in North Danville, Vermont. My 1852 Vermont adventure THIS ARDENT FLAME is scheduled for June 2021 publication with Five Star/Cengage -- I will give you updates and early order information as soon as I know! I'm also writing a memoir; revising a mystery; in the midst of a novel about a grandmother and her granddaughter; and always writing poems. Yes, I guess I do like multi-tasking! How about you?

Tuesday, July 26, 2022

Poem after Poem ... on a Blue-Sky Day in July


Last night just before I dug into my late-night reading, an email arrived, accepting three of my poems for the summer 2023 issue of Soul-Lit Magazine. What a wonderful gift to the evening! 

And today, "Do the Next Right Thing" was published beautifully in As It Ought To Be Magazine (https://asitoughttobemagazine.com/2022/07/26/beth-kanell-do-the-next-right-thing). Talk about glowing with joy!

It reminded me that I should explain something new in what I'm doing. Day upon day, I'm writing poems as I find the language for feelings and experiences that matter to me, some light-hearted, some discovering new parts of the grief journey (more than 3 years now since Dave died). And many, of course, celebrating this place: high on a ridge in northeastern Vermont, listening to the wind, the birds, and an occasional neighbor in action.

But I'm not always putting the poems out publicly right away (like, on Facebook or this blog), because it's my season to reach for wider groups of readers. Most of the publications that I'm sending poems to have a rule: It can't have been published (even on Facebook) before their chance to present it.

Since the poems aren't reaching you "as written," you might look at one and think it describes "today," when actually it began a year ago, was rewritten and revised "about 50 times" (as Donald Hall described it), and then crept out under cover of darkness to make a new friend.

So I thought I might give you something quite fresh from the writing desk this week. A lot of friends, and friends of friends, are going through the newest round of Covid variants. Sick for a few days, and then miserable for a few weeks afterward, drained. I ache for them (and know one of these days it will probably be my turn, too). This is called VARIANT, and now you know why:

Variant

 

Crawling through the long pandemic

death’s come closer than it used to:

masked, vaxed, boosted, still we shiver

at the risk—strange and incalculable as

the meteors crossing the night. Raw beauty

like the sequenced chain of DNA

potent and seeking.

 

Thanks for walking with me, friends. See you here again soon. -- BK 

Thursday, July 21, 2022

When We Make It to Autumn -- Book Celebrations Ahead


It's a hot muggy July afternoon, with intermittent thunderstorms. Everyone's taking photos of butterflies lately, and I just received my first bag of "extra" zucchini squash. Double chocolate zucchini bread and a cheesey zuke casserole will follow, this evening.

But as I tend the yard and gardens, tiny crickets hop out of the way, then dive under the greenery. At night, their chirps have replaced the peepfrogs as music in the darkness. And for me, that's the first reminder: Vermont's glorious autumn is not far away.

And it's going to be an incredible October for my writing.


 

Last year's release of THIS ARDENT FLAME, the second in my Winds of Freedom historical novels series, dropped into the hush of the pandemic -- no book launch, no events, no readers jumping into the pages. So this fall I'm re-launching the book. I'll be at the Pope Library in Danville on Saturday October 10. Then at NVU-Lyndon for Kingdom Connect on October 4, and with bookseller Kim Crady-Smith, I'll be in North Danville for a 7 pm book talk at the Brainerd Memorial Library on Thursday October 13. (More dates to follow!)

I'm eager to share the surprises I discovered about Vermont's thriving Abolition movement in 1852 -- and about "free black" residents here at that time. Plus, of course, there's the excitement of the novel itself!


Believe it or not, I have a SECOND book launch to savor this year -- Lilith Magazine's new short story collection, Frankly Feminist: Short Stories by Jewish Women from Lilith Magazine. My story in the collection is "What Was Cut," and it uses bits from my life as a La Leche League Leader, a person in 12-Step recovery, and a rededicated Jewish family member. I think you'll appreciate the spooky edge that it carries!

Watch here for more announcements ... September 4 is already booked for my poem "Sundown Psalm" in Amethyst Review, and some time in August, As It Ought To Be Magazine is publishing another of my poems, "Do the Next Right Thing." 

Come on, crickets, keep chirping!

Monday, July 18, 2022

North Danville Family Stories: Updates from Gerard Lamothe, July 5, 2022


There are so many details in each story about our families and our pasts, and sometimes people don't see the details in the same way. Although two of the people interviewed for my 2022 North Star Monthly article on North Danville went over the manuscript before I turned it in -- because I was aware that the connections were complicated and the photos a generation or two way from us -- Gerard Lamothe found that the final article didn't fit what he meant to say, and he expressed some doubts about what others told me.

Here are Gerry's notes of correction; he says his own speaking style may have led to many of the confused items from his own research.

"Original dam at the bottom ... flood of '27." Gerry says North Danville's big flood took place in 1897 instead. The dam was rebuilt after 1897.

bridge ... sawmill: Gerry says this was the gristmill, not sawmill, and related  bridge, also severely damaged in 1897. He notes that Arthur Sanborn bought both the dam and the gristmill so he could use both dams to run his sawmill.

He wants to make it clear that Aunt Addie was his great-aunt.

The image of the blacksmith shop and triplet houses: Gerry emphasizes that General Chamberlain was one of several early settlers, although he was the first in the village. He refers to a Tennie Toussaint article.

Gerry thinks the name McFarland was used without a D.

Rather than banning both dancing and billiards, he says the band was against both dancing and cards.

The bell mentioned, he clarifies, was a handbell.

Gerry says Arthur Sanborn's house is not in the photo; the unpainted building is the blacksmith shop, and the white Cape-style house belonged to Elgin Gates. Arthur Sanborn built his house on the former site of the blacksmith shop.

Gerry says Arthur bought the sawmill and Elgin's shop and home, and the dance hall, a building just below Elgin's blacksmith shop.

Gerry says the house was not sheathed in brick, but in wood.

Where Arthur's brother is mentioned, Gerry said that should be brother-in-law, Addie's brother Al.

Gerry says the lunches carried by Addie were not for the workers but for the students.

Gerry says Addie owned the mill and ran it with the help of Charles Sanborn.

Gerry believes Arthur's passion focused on the second mill (Walden Mountain) after he sold his own mill.

Gerry corrects the shooting of Charles in the leg, saying it took place instead in the ballroom at his house.

Gerry says Addie's sense of propriety affected the driving lessons of daughter Louella, not of Sharon.

Gerry corrects the dance hall shooting to take place at the Sanborn dance hall.

Gerry believes the mill pond did not rise to dangerous levels; instead, those waters came from the other dam by the town shed and the third dammed pond.

Gerry corrects the mention of poor flooring, saying it was to be put into the new school, not the old one.

Gerry's description of the outhouses was intended to say "limed," not "lined."

Charles was Arthur's uncle, not brother, Gerry says.

Gerry says that Elgin's blacksmith shop was built on the site of an earlier store, and that the store photo shown is not the Weeks store.

This page of Gerry's corrections should be considered in future historical writing about North Danville village.

Tuesday, July 12, 2022

Writing to Save the World: A Project With My Grandsons

Broken shell (at left) and label from my blessedly optimistic sister-in-law Cheryl.

My grandsons' mother is doing a great job getting her sons educated, and each youngster is moving to a new school in the fall. This careful parent is already thinking about college as the long-term goal for her sons, and she's brought me into the process this summer because she wants them to write more often and with more attentiveness.

They travel in summer, which raises the challenges -- but of course, thanks to the pandemic, we have all learned to cope with that sort of distance. So the boys and I are writing something each week on a topic that I propose (although I'm open to them raising a topic; for now, they prefer that Grandma does this).

This week, I offered the website https://www.oceanoptimism.org, which I learned about through an On Being podcast. I thought it provided a good change from the doom and disaster we've all been discussing -- and the boys did, too. Each one wrote a really good piece on why we can harbor optimism about cleaning up our oceans. Each also indicated some level of personal commitment. They "get" why we are all trying to reduce our use of plastics, for instance, and they are "on it."

The same day I offered that challenge, I also received an email from Seth Godin that included promotion for his Carbon Almanac -- subtitled "It's Not Too Late." I think that's what we-who-want-to-save-the-planet need to internalize: Our choices matter, need to take place now, and are effective.

Here's the piece I wrote with the boys. I'd proudly share what the grandsons wrote, but ... that's THEIR writing, and they'll find their own way to share it. (That will have to be a topic for the end of the summer.)

Hope this gives you a boost today.

When I first heard about the #OceanOptimism tag and website, I felt skeptical. Ocean pollution seems so out of control! And every time I purchase a piece of fish to eat, the price reminds me that there is a crisis in ocean fish, as desperate as the crisis of America's western lands burning (not to mention the fires in Italy). With such a global sense of catastrophe, does optimism make any sense at all? Then I looked at the "tweets" that are tagged with #OceanOptimism, and other things came to mind. For example, one of the featured items right now quotes a scientist who is successfully bringing about change. She reminds us: "Take advantage of the unexpected. Trust your intuition. Learn to tell your story. Don't neglect the positive." None of those are spoken often by the people around me, but they reflect the best moments of my life, the times when I've felt that I enabled good results among people and organizations. They remind me also of the work of business guru Seth Godin (I learned about his work from my son Kiril), whose new Carbon Almanac is subtitled "It's Not Too Late." I learned from his writing, and from some examples around me, that people are capable of enormous amounts—if you help them to focus on their strengths and celebrate their achievements. Go positive ... go with optimism. Let's help our oceans recover.


-- With love from Grandma

Thursday, June 23, 2022

The Covered Bridges of Lyndonville, Vermont

Lyndonville, a few miles north of where I live, is having a renaissance of sorts. As usual, this one grows from the energy and determination of a few individuals able to light up more -- "Revamp the Ville" is the new slogan. I like it!

So it's a pleasure to see this article in the Caledonian-Record this week describing the planned Sanborn Covered Bridge Riverfront Park (tap images to see larger versions):



 

And with that, here are three covered bridge images from Dave Kanell's postcard and photo collection of the Northeast Kingdom. (There are five covered bridges still standing in the town.)

DK's research notes on this first image say Sanborn Covered Bridge (the one that the park will feature), Lyndon Center, photograph circa 1940s.


The second image, wrote DK, is the Burrington or Randall Covered Bridge (it's had both names), and the postcard was mailed in 1957.


The third is marked "Lyndon Center, Vt" on the back, and DK's notes say the photo is circa 1950s of the Miller's Run Covered Bridge.



Covered bridges have been essential for farmers in our area, as they enabled horses to pull loads safely across rivers. (In my book THE BITTER AND THE SWEET, July 2023, they enter the story often.) It takes a lot of determination to keep them standing after the horse era, so kudos to Lyndonville for this important effort.


Friday, April 29, 2022

A Photo of Gracie's Hotel, Lyndonville: As Promised!


Last month I was honored to present a talk on writing historical fiction for the DKG VT (active and retired teachers), Northeast Kingdom section, meeting in Lyndonville. I promised to try to locate an image of Gracie's Hotel for one of the people at the meeting.

And here it is! By way of explanation, here's what my husband Dave (the true Lyndon expert in the family) wrote about it, on April 11, 2018:

Looking Around Lyndonville, Vermont Today: Postcard circa 1950?. The sign on the building says "HOTEL LYNDONVILLE"
To the left of the building and over the door way is another sign that says "RESTAURANT" At this point of time the hotel was owned and managed by Nap. G. Clements who was from Montreal. ( I wonder if the NAP was shortened for the name Napoleon.) The second image is an advertisement from the 1957 edition of the Vermont Year Book/Walton's Register.
The hotel had 30 bedrooms. The Sportman's Room and The Casbah Lounge (A Replica of an Egyptian Tent)
The Hotel advertised in the Lyndon Teachers Yearbooks in 1953, 1954 and 1958.
Over the years the Hotel had many names: *The Pleasant View House * Centennial House * Union House * Chase's Hotel, * and Gracie's Inn. On line someone wrote that the Hotel burned to the ground on June 3, 1969 and another person gave the year the Hotel burned down as 1967.
This is a winter scene. The hotel was located in the vicinity of where the Union Bank now stands. 
 
DKG folks, please do pass the word on this! 
 
Doing author talks often opens up fresh historical research for me. Glad we can all share this.

Monday, March 7, 2022

Passumpsic Photos Lasting a Century—and More (Ernest Skinner)



The other day I pulled out a cardboard folder labeled "SKINNER Postcards Passumpsic," to delve into the images DK* collected that were photographed by Ernest F. Skinner, a farmer who lived a few miles south of St. Johnsbury in the Barnet village of Passumpsic.

DK provided several notes on the most formal image—one that was clearly marketed as a postcard, with a line down the center of its reverse, and the two sides of the line labeled "This Space for Correspondence" and "This Space for Address." The photo on the front is helpfully labeled "Passumpsic, Vermont" and "Ernest F. Skinner, Barnet History, 1923." That snippet that says "Barnet History" indicates Mr. Skinner provided his photo to Frederick Palmer Wells for use in the massive volume of town history.

The covered bridge is obvious in the photo, along with the prosperity of this little village at the time. DK noted that Ernest F. Skinner (1885-1978) was a farmer in Passumpsic and had become a naturalized citizen of the United States in March 1922. His wife was Nellie M. Skinner, 1866-1965.

There are many postcard-size images today that indicate that Vermonters in the 1920s, and probably for a decade before that, enjoyed having their portraits or home portraits turned into cards that they could mail at low cost. Mr. Skinner clearly expected the photos he prepared of his village and adjacent East Barnet to be shared. It's likely that local shops sold them.

This image is labeled "Cobbler Shop Tea Room Passumpsic, Vt." and I remember when DK and I were tracking it down. He dates the card to 1920 with a mention of "4 Squares." His notes add that the house, owned in 2018 by Jeremy and Roxanne Roberts, is next to the one then owned by Craig Beck.

There are two copies of the next image, differing a bit in how dark they are. I like the evidence of local historians collaborating, since DK's first note attached says "Paul Chouinard says this in an Ernest F. Skinner Photo." It shows the wooden covered bridge in Passumpsic, built in 1898. The bridge was destroyed by the Great Flood of Nov. 3-4, 1927, and DK notes there were 1285 bridges lost in that flood. "Looking South, Passumpsic River Bridge 1898, Passumpsic, Vermont. Looking closely at the farm house on the top of Mill Hill. In 2000 the house and large barn were still present. (Info Bruce Filgate)" says DK's added note, crediting another local historian.


Among the notes connected with this Skinner photo of the East Barnet covered bridge is a printed scrap without the source: "This is a photograph of the East Barnet covered bridge over the Passumpsic river which was taken out by the flood of 1927. Note the elevation of the bridge over the river which provides a reference point regarding the height of the raging flood waters during the flood of 1927. It started raining on the evening of November 2, 1927 and by the time the rain ended on November 4th, nine inches of rain had fallen in a 36 hour period. The ground was already saturated from heavy rains during the month of October and was not capable of absorbing mo[r]e moisture. The damage from flooding was devastating to all of the towns and villages located along the Passumpsic river."


This next Skinner image is of those flood waters. The photographer's caption reads "Passumpsic Vt. Nov. 4, 1927" and DK notes that the image is included in the book "Lights and Shadows" on page 56, labeled "The Uncontrolled Flood Waters at Passumpsic."


The flood did more than tear out the bridge—it also wrecked the train station and rail lines. Mr. Skinner's photo postcard is marked "Flood Nov. 4, 1927, Passumpsic, Vt." I wonder how the milk was moved, while both the river and the rail were impasssible.


For another perspective on the damage, here is the depot itself; look closely to see the footings washed away. Mr. Skinner's label is "C.P.R. [Canadian Pacific Railway] Depot, Passumpsic Vt. Flood Nov. 4, 1927."


This very full image is marked "Passumpsic, Vt. #2" by the photographer. DK's note reminds us that it shows the village corner on Route 5. He describes the card as a Velox (an image created by adding a screen to a photo), dating it to 1907-1914. Paul Chouinard has written about the store at this corner and the nearby residents, from his experience growing up in the village in the 1950s.


Inspect "The Ferry Passumpsic Vt. Apr. 25, 1928 (card number) 41" and see the 10-gallon milk cans crossing the river; the ferry operator is using a cable to pull the flat-bottom vessel along. DK points out the engine and railroad freight cars in the card also, and commented that the ferry is "listing or tilting." The milk cans prompted him to add notes on the Passumpsic Creamery, operated by the Passumpsic Creamery Association, M. K. Bruce, Mgr; operations were 1879-1964. A second note mentions Mountain View Creamery in the area's 1930 directory, with J. J.  Richie Mgr.; O. [Ollie] B. Exley was the foreman in West Barnet [his daughter was teacher Miss Karlene Exley—BK].

I'm glad to have taken time to type up DK's notes and present these cards. I anticipate more Passumpsic Village history from Paul Chouinard in the future.

*DK is my late husband David Kanell -- as he would ink in, 1952-2019.