Book Recommendation: THE AMATEUR by Robert Littell, an Espionage Classic

Soho Crime, a Soho Press imprint, today releases a reissue of Robert Littell's 1981 espionage classic, THE AMATEUR. What a gift! Littell even catches the tang of some sardonic Russian fiction of that time, as he positions one angry coding analyst, Charlie Heller, as an American geek who find he just has to do something about the murder of his darling fiancée. When Heller discovers that the CIA -- to him, the Company -- knows which three terrorists have killed his sweet and beautiful Sarah Diamond, jeering at her for being a Jew, and knows where those three are, yet plans to do nothing about this, his unexpected emotions lead him to an insistence on action.

Heller's quickly aware that no action will come from his employer. In fact, he's subtly demoted, moved away from the urgent daily coding and deciphering that have been his area. He's been managing communication for an embedded spy located near where the killers now reside. What can he do about all this?

His geeky decision to take matters into his own untrained hands leads him to blackmail his boss into letting him train to go after the murderers. Even the Company's trainer thinks he'll fail -- a gun in the hands of such an amateur is less than fifty percent likely to hit what he fires at. And as a desk jockey, he's not in the physical shape to choose other killing methods, is he?

But Heller's almost father-in-law, Sarah's father, is a Holocaust survivor who already lost his first family, and tells Heller bluntly, "To survive the death of people close to you, you need ritual. ... I spent three years tracking the doctor who sent them to the gas." Mr. Diamond confesses that he strangled that doctor. When Heller says, "it didn't bring them back from the dead," the old man gives him the real point: "It brought me back from the dead!"

Even the Company shrink seems to agree: "From a medical point of view, revenge is very therapeutic." So Heller feels he has all the best reasons to pursue his new plan.

Things get tangled up, of course. The spy he chases isn't who he thought it was. His feelings aren't manageable. He is, indeed, a clumsy amateur, and when the Company tries to control his actions, things get quickly even more dangerous.

Littell's delightful plot takes Heller into highly satisfying changes and actions, and reveals slyly the other meaning of amateur that we've known all along: One who loves.

Pick up a copy for the pleasure of this still great story, for insight into how Littell cut a path for today's espionage authors, and for the foreword by Mick Herron. Totally worth it!

Book Notes: Fresh Books from Hugh Laurie and Rex Stout

1996 hardcover

When I heard Hugh Laurie's crime novel THE GUN SELLER was being re-released this summer by Soho Press (which published it originally in 1996), I found the advance review copies were missing the hyped "introduction by the author" and "foreword by Stephen Fry." I bought one of the first edition hardcovers -- marked up by a library -- and dug into the story. 

Laurie is a noted actor, and in the US best known recently as Dr. House in the eponymous TV series House. I was tickled to find that his sense of plot and pacing in this book, his first novel, is first rate. Either he absorbed the rhythms of his performances (also including Blackadder on TV, and 101 Dalmations among films), or he's been reading and soaking up crime fiction for a long time. Or both.

2024 softcover

When former Scots Guard officer Thomas Lang receives a pitch for contract murder, he declines immediately and goes above and beyond the ethical call by going to see the prospective victim. That gets him into several kinds of trouble, from legal to physical, and at the same time makes him the target of an old-fashioned "honey trap" enterprise. The first half of the novel plays out as expected, with plenty of that familiar wry humor familiar from Blackadder. The second half is frankly unbelievable, but still a fun and lively read.

And now that the new edition's in print, you can read the very short intro material. But if you can grab the earlier edition, you might as well, because there's nothing of note in those added segments. The "Discussion Questions" in the new version are pretty funny, though. 

Espionage fiction shelves and British humor shelves should both include THE GUN SELLER.

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As a devoted fan of Rex Stout's Nero Wolfe series (if you ever met my darling extra-large husband, you can appreciate one reason), I rushed to pre-order HOW LIKE A GOD when it was announced in January that a never-published Stout book would be released by Hard Case Crime. It arrived as promised at the start of June. After several attempts, I've passed it along elsewhere. It's a cross between an existential exploration of a potential murderer's mind, and a grim LA-style noir, narrated as if it were an existential pseudo-novel. Not my cup of tea. If you like very dark noir and can put up with a slow pace and many diversions, give it a try and let me know your thoughts afterward. I'm going back to the Nero Wolfe series, which often warms my heart, as well as providing classic mystery narrative.

Slow Horses, Dark Discoveries: THE SECRET HOURS, Mick Herron (Sept. 2023)

My favorite characters from the Slough House/Slow Horses series are River Cartwright and Catherine Standish. I identify with each of them for a different set of reasons. (No, I am not going to whine about my father or my past here! I do that in memoir pieces, here.) And I can't stand Roddy Ho, with his endless primping and overweening self-esteem.

But the ones that obsess me are Jackson Lamb, Molly Doran, and Diana Taverner. Why? Because I'd love to have learned from each of them, and I wish I were as brave or as smart, and I know that I'm not. As a small child, when I began to realize that my parents kept secrets from me, I hoped with a deep unholy thrill that one of them was my identity as a Genius. By ninth grade, I knew that wasn't on the map. In the Slow Horses/Slough House series, though, each of these three has special incisive mind and, as a result, a degree of power that I'd now hate to have in my hands. The books let me peek into the inner selves of these characters, though, and there's a marvelous illicit thrill to that past-the-curtain view.

Hence the absorbing, impelling fascination of Mick Herron's 2023 offering, THE SECRET HOURS. Breaking the tradition of the reader knowing the sneaky secrets, this London/Berlin espionage novel offers a kaleidoscope of work names, job positions ("First Desk" at MI5), and hidden motivations as if the story unfolded in a very foggy neighborhood where any sighting of a spy on the sidewalk ahead could actually be the local bartender lost outside his terrain—and vice versa. 

Because the narrative involves so many hidden identities—some for the sake of anonymity among espionage professionals, some for political manipulation, some due to multiple identities either on British soil and foreign, or while publicly appearing "kind and wise" and secretly shown as manipulative and wicked— THE SECRET HOURS offers a shadow dance at first. Naive young "spooks" experience real life; political hostages slowly notice their bondage. Series readers will get the most from this novel, as they'll be alert for signs of which First Desk is hiding in the shadows, who could be a traitor, and small character traits long since revealed among the so-called slow horses. As one mask after another is lifted, the masquerade turns deadly. Yet, of course, this is Mick Herron writing, so deadly is also simultaneously funny and heartbreaking.

There are also delicious asides into evocative description, slipping in mention of the book's title phrase: "Even when apparently peaceful the [MI5/MI6] hub is alert for disturbance, whether in the world at large, on the streets of the safeguarded cities, or at the next work station along, because—as the whispered mantra has it—You never know. You never know when treachery might strike, or from what quarter. This is true whatever the time, but especially true after dark, since how we act in the light of  day is largely for other people's benefit, but what we do in the secret hours reveals who we really are."

Or the revelations of character in the face of rude awakening: "There was a big rip down the centre of everything now. It wasn't fair, she absurdly thought; wasn't fair that people should expose the violent terrors history held, and expect you to know how to respond." 

In the deliciously balanced double time spans of the book, the same character in another era will reflect: "The events she is recalling took place years ago, decades ago, but there is no statue of limitations on remembered damage, if that is what this is. And how can it be anything else? Happiness takes on a different shade in the light of  its consequences."

Don't let the "literary" phrasings mislead you -- this is also a book of fistfights, kidnapping, death threats, and some murder-for-politics. The difference is, in Mick Herron's hands, the questions asked by the ordinary people doing the footwork really matter. And ache. (And sometimes make you snort with an unexpected laugh.)

I often tell people to plunge into a book without worrying about whether they've read earlier work in a series. And you can do that with THE SECRET HOURS, of course. But if you do, then dip into some of the earlier Mick Herron books and come back to this for a second read. Then you, too, will double your time periods of engagement, and perhaps see, and feel, the movement of the world more clearly.

Release date from Soho Crime, an imprint of Soho Press: Sept. 12, 2023.

 

Wait, What Century Are We In? Radical New Fiction from Sujata Massey, Mick Herron, Chris McKinney

Book recommendations! My recent reading has been all over the timeline and globe, thanks to three summer releases from the Soho Crime imprint of Soho Press. NOTE the release dates, please, for ordering and pre-ordering. I'm not exaggerating when I say that each of these books has given me insight into the mastery of important stories, as well as intrigue and adventure.

1920s India, Courtrooms and Crime (JULY Release)

The 1920s gave women freedom of dress, dance, and hair in the United States, as well as the vote -- but social change moved differently in India then, and Perveen Mistry, British-trained daughter in a Bombay law firm, can't find her footing. She should be recognized as a solicitor. But when she rashly tries to stand up before a judge on behalf of another family's injured servant, her credential aren't good enough: "I completed the bachelor of civil law education at Oxford University. Following this, I clerked at Freshfields which granted me the rank of solicitor." The judge traps her with an inquiry into her grades on the law exams, which of course she hasn't taken. "Female law students were not permitted ..." A very embarrassing move by the judge banishes Perveen from the courtroom, threatens the liberty of the woman she'd tried to rescue, and sweeps her career faux pas onto the gossip mill.

Death, poisonings, and legal manipulations with the upper-class that used to hire that now-injured servant as a baby nurse escalate the crises around her. Despite its supposedly sedate setting, THE MISTRESS OF BHATIA HOUSE turns into a page-turner of betrayal, dishonesty, and by necessity, bravery, as Perveen risks her most important relationship—with her powerful father—for the sake of her surging principles. 

Followers of the series (this is the fourth of Massey's 1920s India mysteries) will get little more of the romance between Perveen and the British man who's won her heart in earlier books. But oh, what an education in customs, cruelty, and courage!

Cold War Refresher for Awkward Spies (SEPTEMBER Release)

The "Slow Horses" Apple TV series has brought fresh attention to Mick Herron's addictive espionage series set "today" (more or less) in London. Although THE SECRET HOURS is billed as a stand-alone, it's slowly revealed to be a Cold War back story to some of the most compelling characters of the book series. Discovering which of the ardent young people from 1994 Berlin match the partners in the current investigation of MI5 is half the fun. When they start to key into the Slough House itself, though, forget putting the book down. As the unnamed "First Desk" at MI5 refects, "You never know. You never know when treachery might strike, or from what quarter. ... What we do in the secret hours reveals who we really are." Soon various forms of skullduggery, including betrayal and murder, rack up: "Killings happen It is not a matter of whether this is true or not; it is more a matter of whether it is justifiable." 

Herron's crime novels feature sharp threads of wry humor, and every triumph gained by his spooks and "joes" come with a huge serving of regret. THE SECRET HOURS gains double poignancy if you've been reading the earlier titles (I actually re-read them, almost annually). But if you're a novice, plunge in anyway. Odds are you'll then email the local librarian for earlier books in the series, and work your way back to this 2023 release with delight and escalating appreciation.

What Could Go Wrong With Artificial Intelligence That Hates You? (JULY Release)

My grown sons speak Asian languages—it's unusual for Vermonters, granted, and they've been given quite a few side-eyes in Asia for the unexpected sounds coming from their mouths. I think that enhances the fascination I find in Chris McKinney's "Water City" series, with its multiple scenes of Japan and more. McKinney, despite the sound of his surname, is native-born Hawai'ian and his ocean savvy formed the fabric for the first book in the future-utopia neo-noir of Midnight, Water City. With EVENTIDE, WATER CITY,  the threads of manipulation that might have been excused on the part of world-saving science in the first book start to bite ... and draw blood.

McKinney's protagonist, whose name we still don't have, served as risk-it-all detective in the first book. But now he's retired, letting his wife do the career climbing, and instead he tackles the daunting task of teaching and then keeping up with his daughter Ascalon—who, like her father, is a synesthete, someone whose perceptions arrive in the form of colors, sounds, even messages that don't mirror everyday reality. 

The idyllic life of water exploration with Ascalon ruptures under the intrusion of the potent and often cruel (needlessly? or correctly?) Ascalon Lee. By the time this strange villain-rescuer is captive, the roles of father, detective, bounty hunter, and world-saving hero have whirled into enormous confusion for McKinney's narrator: "She's got her gun raised to my belly. This should be easy. So easy. How many times have I pulled a trigger before? Then a single thought floods my mind. Anger. Rage. It's this emotion that makes it possible for me to make everything all about me. The thought melts and oozes into a deep self-loathing." There, bet you didn't see that coming — but if you savor well-written noir, you should have guessed. 

In this year of ChatGPT and other mixed monsters, the role of artificial intelligence in McKinney's series can't avoid a mix of promise and menace. Keep your eye on both Ascalon and Ascalon Lee, to gather hints of where this frankly terrifying series is headed for its finale, as the last of the trilogy, Sunset, Water City, will release in December.

I'd like to send all three of the books to my Congressional delegation. If only I thought they'd read them. Well, at least we the voters can be forewarned.

PS: Looking for more mystery reviews, from cozy to very dark? Browse the Kingdom Books mysteries review blog here.