Prize-winning World War II espionage from the point of view of a young
woman working for the Allies and "accidentally" taken prisoner in
France, CODE NAME VERITY (2012) is a "young adult" bestseller. It's also
one of the most recommended mysteries for adults to read in this genre.
I enjoyed it very much and appreciated Elizabeth Wein's care with the history as well as with the emotion veracity of the fiction. Research and writing work together to give a vivid and, I think, trustworthy image of the time.
By coincidence, the same month I got around to reading it, I also read Fannie Flagg's newest novel, The All-Girl Filling Station's Last Reunion -- not in my usual genres, but the very local book group was reading it and invited me to share the process. To my delight, I found it overlapped the historical ground of Elizabeth Wein's book, just on the other side of the Atlantic. If you're interested in how women slowly but surely moved into flying planes during that war, read both.
Best of all, for those of us wrestling on a daily basis with writing -- or evaluating -- mysteries that rely on other times and other cultures, here's a wonderful piece from Wein on "Authority and Authenticity." Her final line still gives me shivers: "Tell the world. For all the faults and flaws of my telling, I have no choice but to tell this story as best I can."
Vermont author Beth Kanell is intrigued by poetry, history, mystery, and the things we are all willing to sacrifice for -- at any age.
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