A few weeks ago, I wrote a bluebird poem for an old friend. He makes bluebird houses. Also he makes poems. Later he asked me: "Did you just sit down and write that poem, just like that?"
"Nope," I answered. "It had been brewing for a few weeks."
For me, that's how it goes. One morning the last straw lands on the camel's back, or a spark catches on a shred of paper under a heap of sticks, and it's time to shut the visiting dog into her crate for a bit, so I can focus on the keyboard instead of delivering scratches, pats, and "good girl" crooning.
Today three poems erupted, after a long-ish dry spell (long for me, anyway). There's fourth one stuck in my chest, like a burp that refuses to escape. Well, maybe later.
At any rate, to reassure those of you who panic about when and where poems "come": I've had a self-assignment of topic for these, for about a month, with no lines crafted at all. Reading an essay this morning on how passages in the Torah are crafted, I found a Greek-rooted word that was new-ish to me: chiasm. By the time I'd looked up several aspects of it, I'd also found a poetry structure I wanted to try out, and realized that it's the word for the way our eyes and brain cross over information, inverting it into what we "see" in front of us.
Which led, at last, to an opening I could step through, into a poem.
When I didn't care so much, it was easier to "toss off" a poem. Now, though ... it's a day's work, and more. Which, I admit, is how I like it.
Optic cabling -- a graphic by Ratznium. [Ratznium at en.wikipedia, CC BY-SA 3.0 <http://creativecommons.org/licenses/by-sa/3.0/>, via Wikimedia Commons] |
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