How Bad Could Things Get? Chris McKinney's WATER CITY Trilogy Tests the Answers

Climate collapse, floods and fires, political divisions, wars and devastation—in America, it's not uncommon for people to feel like it's going to take a great leader to get us safely out of these very hard times.

But that's not where Chris McKinney heads in his WATER CITY trilogy. After the earlier Midnight, Water City and then Eventide, Water City, where a synesthetic former detective's been tackling the crushing issues around him in an effort to save his too-talented daughter from being coopted, McKinney and Soho Press collaborate to move rapidly into the last volume: SUNSET, WATER CITY. 

In a radical switch from the nameless not-quite-hero of the first two books, the third one (set in the year 2160) spins from the point of view of that talented daughter, Ascalon, whose experience at age 19 includes both armed resistance and a lot of forms of tech destruction. Battling both her US neighbors in the toxic lands of the Great Leachate, and the overwhelming technological dominance of the near-deity Akira Kimura, Ascalon's courage and defiance take root in her anger at her father, as well as her love for her vanishing family.

As I read SUNSET, WATER CITY a second time, I thought a lot about trilogies. The one I grew up with was The Lord of the Rings (Tolkien); then there's the Hunger Games trilogy. But also there's a trilogy at the start of Ursula Leguin's Wizard of Earthsea books: A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972). And I'm one volume into reading Cixin Xiu's formidable Chinese space trilogy right now.

On reflection, I wonder whether world-building requires a bigger canvas than a single book. Building the pressure points needs to extend beyond that first volume, and the most intriguing and memorable characters, whether heroic (Frodo, Katniss) or antiheroic (Ascalon's father and Akira Kimura herself), need years to mature and deepen, in order to provide a meaningful resolution to another world's issues. And maybe that's especially true when, as with McKinney's trilogy, the issues are so clearly unsolved in our own present time: environment, antagonism, excessive power.

So my second reading of SUNSET, WATER CITY looked for how McKinney (who by the way is a native Hawai'ian with ethnic threads that are Korean, Chinese, and Scottish) asserted the solutions to the trilogy, not just to one book. What I found is that this third volume is as much a statement of human value as it is an adventure. Ascalon asks herself, "It this what it always is to be with other people? To not understand each other? To harbor trauma? To bottle anxiety, probe, and flinch before another even responds? I feel lost." When she decides to tackle the bigger issues of her world, she's aware that it's also an escape from this inner lack of certainty; "I will try to bury my grief and rage for now. I will try to fix this. I will take my father and Jon6J to Ascalon Lee. It's time to return to Water City."

A return to Water City demands unusual physical capacities, and many will feel especially strange to "mainlanders" reading the series -- but less so to those who live with islands and oceans. Over time, the presence of this trilogy and the inevitable film versions to follow may bring Ascalon's adaptations to some level of expected adaptation, like Frodo's interaction with the Ring. But expect a first reading to feel uncomfortable; expect to utilize your capacity to "listen" and to "suspend disbelief." Ascalon's discoveries, at first framed in her perceptions of her father, are worth reaching: "He should've known that it's impossible to sleep to the future to change the future. One needs to be awake to change that."

Without spoiling the plot, I can say that Ascalon clarifies her own motives as she battles for what she feels is right. Unlike the three leaders around her -- her father, her mentor Ascalon Lee, and the overwhelming Akira Kimura -- this young woman intends to protect her world, if she can just figure out which elements of it merit that protection.

In a time of chaos and pain, it may seem counterproductive to dip into a trilogy that proposes that Earth's issues are so extreme that only interplanetary settlement and technological unity will pull us through. But McKinney's narrative is so compelling that it's well worth entering his speculative world and his painfully maturing protagonists. Besides ... isn't it time, after so many decades, to step beyond Frodo and Gandalf's solution for Middle Earth?

[For some extra insight from the author, look here: https://www.watercitytrilogy.com/building-water-city.]

Book Recommendations: Back in the [Writing] Saddle Again

It's not true that I got NO writing done while Tilly the Lovable Dog was here ... but every bit of writing time was hard-earned, with Tilly often licking my elbows as I typed. So it's been all about priorities. She went back to NJ on Wednesday, and I think I've done the inevitable grieving at not being able to keep her (the scariest part of her knocking me down was being afraid I'd fall on top of her and hurt her). So, onward.

First, writing itself. I've got a couple of novels out being read by editors, which is always a good feeling (if also totally unpredictable). Memoir segments will catch up soon. Poems always underway. I've been taking a Zoom'd class in poetry-in-response-to-art, and I've learned nothing in it about how to do strong poetry in this framework, but I've made the most of the art end.

Now for some Book Recommendations!

Love a relaxed summer mystery that plays fair with the clues and keeps you feeling good about the amateur sleuth? Pick up Barbara Ross's new Maine Clambake mystery, releasing June 27; I have a review of it in the New York Journal of Books and will add the link here when it posts: Hidden Beneath is the title, and the action takes place on an island off Maine's rocky coast. This is a good one for a summer hostess gift, too.

Most important book of the year (IMHO): Eventide, Water City, by Chris McKinney (Soho Press). You want to know what damage AI like ChatGPT can do? This is the ultimate nightmare, framed in a highly readable action adventure. I couldn't put it down. Release is July 11 but don't wait. Pre-order now if you've got a moment ... it's book 2 of a trilogy but even if you haven't read Midnight, Water City, you'll get right into this speculative near future and the powerful sense of agency of the dad who's got to save his kid (and incidentally the world). Soho is releasing book 3 this fall, an unusual move of two books packed into one year, so you won't have long to wait for the finale of the series.

Historical mystery with punch and a great feel for how women's roles were changing at the end of the 19th century: That's Katharine Beutner's Killingly, a title that didn't light up for me but with a very unusual plot involving college-age girls, illicit love, missing person(s), even abortion access. It's set at Mount Holyoke College, in western Massachusetts. Although I wasn't a complete fan of the plot pacing, the issues make this a must-read for women's fiction in particular, and it's definitely a worthwhile response to all those Boston-based college murder books, with extra insight on effects of class at the time. Also from Soho.

If humorous mysteries with good twisty plots tickle you, try Death Comes to Marlow by Robert Thorogood. Ignore the lame cover. I love the author's comment about the seventy-somethings he's tapping as amateur sleuths in a British village group of aging friends (the earlier title was The Marlow Murder Club, also funny): Thorogood said, "They solve the murders without reference to any forensics or the science that goes behind it all. It's proper old-fashioned Agatha Christie, walking around a town and solving the crime by talking to people." Right, what he said ... with some memorable scenes in the nearby river, some naked. Already available from Poisoned Pen Press.

My reviews of historical material -- mostly novels but sometimes nonfiction -- usually run in Historical Novels Review, where the (in press) summer issue includes my attention to Ravage & Son by Jerome Charyn -- a must if you love New York Jewish history, in this case framed around The Forward -- and a remarkable and hefty novel of Denmark's resistance in World War II, Hamlet's Children, from Pulitzer Prize-winning author Richard Kluger. The lightly fictionalized The Girls Who Fought Crime by "Maj. Gen. Mari K. Eder" didn't suit me (how women entered the NYC police force; the writing wasn't my cup of tea).

You've caught me in another re-read of books 1 and 2 of William Gibson's latest trilogy: The Peripheral, and Agency. Gibson's books give me a shuddering awareness of the perils of our time -- and a very small crumb of hope. Plus they're an amazing read, powerful and lively and full of expressions that brand themselves into my thoughts. 

Summer is for reading. And a bunch of other stuff. Don't get me started on my gardens.