This photo is from a tiny cemetery just up the road from where I live; the stones in it mark deaths that took place about two hundred years ago, but -- they also mark lives. They stand for people who chose to farm and raise children on a high ridge of land where they could look west toward an amazing landscape of rolling mountains. And at that time, most of them probably had no idea what lay beyond those mountains. One of the markers here (the left-hand one; click on it to make it larger) is for Mrs. Submit Adams -- whose heritage, according to local writer Alan Boye, probably included Abenaki (Native American) family members. She may have been the earliest part-European to live on this ridgeline.
I think that the more we learn about the people who've gone ahead of us, the more courage we can summon. We see how they lived with the darkness of winter nights, and the darkness of their souls sometimes. And for many of them, we see how they pulled themselves together. They witnessed wide skies of brilliant stars, or big-bellied glowing full moons; they woke again in the morning to the winter calls of chickadees (tiny birds that refuse to leave here in winter), the sparkle of sunlight on icicles, the bright ring of harness bells on horses. They left us their names, and sometimes their stories.
When a good novel follows a character's path through darkness, it shows where the light is also rising. It calls us to take the next right choice, take another step forward, sing something out loud for the friends following us through the woods. It was Carl Jung who said, "The brighter the light, the darker the shadow." But for the stories I want to research and tell, the saying may sometimes go the opposite way: "The darker the shadow, the brighter the light."
Vermont author Beth Kanell especially enjoys storytelling. For her 2008 novel The Darkness Under the Water she wove together family stories of New England, the experiences of neighbors who knew what life was like here during the Vermont Eugenics Project, and a LOT of historical research. Her 2011 novel THE SECRET ROOM is also embedded in Vermont and US history, even though it's set "today."
In the writing room right now ...
In the writing room right now ... I have the walls covered with brown "butcher" paper so I can pin up ideas, photos, drawings, and my constant supply of hand-drawn maps and plot outlines. I've finished revisions on a YA murder investigation set in 1921 in Vermont -- Cold Midnight. Next up, revisions on an 1850 winter adventure of three girls, The Long Shadow. Very much in a gentle research stage is an 1883 novel called Copper Mountain and a haunted story of "today" called The Fire Curse. Some poems, too. Count on the blog getting bits from all of these. Yes, I guess I do like multi-tasking! How about you?
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